20 August, 2021

Vampires, Werewolves, and Aliens, oh my!

For modern audiences, the "horror" genre has an appeal which seems inexplicable to some. Whether the gory type where blood spurts into the camera or the alluring, Gothic creatures which seduce the audience, there are monsters which entrance watchers of all ilks. The recent zeitgeist of The Walking Dead may be the apotheosis of the movement. All these characters are prevalent in popular culture, and most people have a familiarity with the monsters and tropes, even if they are not "horror fans".

Because of the "in-group/out-group bias", I wonder where the line is between "us" and "them" when "monsters" are made to look like us. When the shape-shifting alien, transforming lycanthrope and vampire, or freshly undead become a stand-in for those we fear live among us undetected. How movie monsters allow for a more socially acceptable expression of the revulsion people feel towards target groups. This leaves aside the intent of the writer or director in the genre, and instead focuses on the experience of the audience. Do audiences find catharsis in the opposition to and killing of movie monsters as a a way of resolving their own frustrations with others in real life? There can be a tremendous appeal, as well as relief, to having a simple answer in difficult and complex situations. In the movies, the enemy is clearly shown to have a weakness, are distinct enough to be easily detected, and all characters agree that the monsters' deaths are righteous.

In various instances throughout recent history, the portrayal of target groups as "sub-human" and "a danger/pollution in our midst" is common enough. This is often used as a pretext to escalating violence against those in the target group. Enslaved blacks in Colonial America, German Jews in WWII, and Tutsi in 90's Rwanda were all described as "looking human" while actually being something else. This is a step which makes it easier to hurt and kill someone: to consider them as not human. In essence, this is not a critique or dismissal of horror; rather, it is an acknowledgement of how influential such entertainment media can be. I would caution folks to be aware of this tendency and, likewise, not dismiss the possibility of this pervasive notion: the alien among us, the monster who looks like us.