Why Villains Always Lose and Heroes Are Reluctant

It is odd that heroes in entertainment are the ones who just react to the villain's plan. Superheroes in comic books and movies, the "good guys" on TV shows, and even in literature and documentaries. From Bond to Batman to Brockovich, the individual the audience is supposed to identify with, who conveys the morality of the story, is not the one initiating change. In Joseph Campbell's hero's journey, it is the passive protagonist who is forcibly taken away from the known world and endures events which unfold around them. Why is it that we are meant to idolize the person in the story whose motivation is to stop the plans of others? This is a question about the psychological impact in the real world on the audience: us. If it is the case that we grow up with the notion (conscious or not) that being a good person means reacting or waiting for someone to rescue, what sort of expectation is that? These are the stories we share with our children. If we expect children are smart enough to pick up on the morality of the tale, do we really think they miss the message that the focus of "good guys winning" is just to stop the baddie from completing their scheme? This is the ideal we inculcate in our society: do not plan, do not attempt to influence others, and do not seek to shape the world, because only villains do those things. Just sit back and allow things to unfold, only taking action when something "bad" happens. Change is aberrant, and to be endured; events are out of our hands and happen to us, rather than because of us. The person who initiates or explores, who takes action, is somehow wrong. This means that having a plan is suspect, and the good act to prevent others from completing their plans. In short, our stories tells us to be reactive.

There are some arguments to note in this examination. First, that this narrative flow arises from human thinking and therefore demonstrates a natural occurrence reflecting the basics of storytelling. After all, conflict is drama, and drama drives interest; it makes no sense to tell a story that is not interesting to the audience. Second, that due to complex social networks, humans benefit from reactivity and passivity. These approaches maintain stability and conserves traditional structures that work, allowing steady and safe progress, rather than upheaval. Finally, that proactivity can lead to overbearing interference or invasive progress. The reason they are villains is that they are over-reaching in their plans, and should seek only to change their own lives, or at least set more humble goals. While these are fine points, they are more complex or deal with rational thinking, and the problem is more like subliminal messaging. The basic idea that good people only act to stop villains is so simple and pervasive that it is only a question now that we are examining it. Before now, it would have seemed unnatural to think of such a fundamental aspect of the stories we have heard all our lives. Most of the arguments around these three points can be allayed quite simply. We can recognize that stories could be just as compelling with protagonists who see problems in the world and begin to construct ways to overcome them, upsetting the status quo and building coalitions towards the betterment of all. There are a few of these stories already.

I will mention here just how good Black Panther is, and how well it illustrates my points. Certainly, one part is about how a prince becomes king, the hero's journey. However, the entire movie revolves around the tension between tradition and modernity, centered on maintaining morality in a changing world. The central character does not drive the action, because he is again reacting to the events being imposed by the outside world. T'Challa's idyllic life in Wakanda is ended by the murder of his father. Afterwards, his smooth transition to sovereign is interrupted by the return of a cousin (N'Jadaka) who was left to die by that same father. We get to see how stability can become stagnation and that the certainty of accession does not grant perspective. Here, we have an encapsulation of the entire discussion about villain versus hero, proactive versus reactive. The villain is right, has a plan, and in the end everyone benefits from his vision; however, the entire movie is about the hero who has to be dragged into the present and face the world because of the actions of that villain. T'Challa was not setting out to discover the best course of action for himself or his nation, he did not even recognize the problems of the world as important, and would not have questioned the policy of isolation on his own. It was only through the actions of N'Jadaka that Wakanda gained a ruler who was capable of appropriately leading.

It should give us pause when the villain is beaten, and the hero goes back to waiting for something else to go wrong. Why are they not planning how things can be better, or challenging themselves to prevent the need for such extreme plans? How are we emulating that reactionary model in real life?